disembodied head of a man in bottom third of print surrounded by gray and black lines and splotches; not included in Eckhardt catalogue — Untitled, 20th century
Walter Gramatté

Not on View

steep, curved racetrack with bicyclists; crowd of people depicted above track — Velodrome, 1917
Walter Gramatté

Not on View

original copper printing plate — Printing plate for Russian Girl with Necklace (Sonia Gramatté), 1927
Walter Gramatté

Not on View

image of a man with a hat, two bandaged hands, and a cane or stick in the middle of the sheet with cursive writing in German filling the rest of the page; sheet has been folded in half from a larger sheet of paper — Dream, 1917
Walter Gramatté

Not on View

original copper printing plate — Printing plate for Sonia, with Head Supported in Hand, 1927
Walter Gramatté

Not on View

From a series of 12 lithographs produced for Der Mantel (The Coat) by Nicolai Gogol, Kiepenheuer Verlag, Potsdam-Berlin, 1919; a man in a coffin leaning forward trying to touch his toes — Akaki in a Coffin Made of Spruce Wood, Plate 10 from Der Mantel (The Coat), 1918
Walter Gramatté

Not on View

original zinc printing plate from Das Gesicht (plate 9) — Printing plate for Man at the Sea (Self-Portrait), from Das Gesicht (The Face), 1923
Walter Gramatté

Not on View

head and shoulders of a woman looking outward with a furrowed brow and slight frown on her face; hair is pulled back and falls to the shoulders; background and garment is in a faded red; hair is a cream color; and the face and neck are grayish with pink lips and eyes that are pink with blue irises — Woman's Head (Sonia Gramatté), 1923
Walter Gramatté

Not on View

head and shoulders to chestline of a man looking at the viewer with a slight smile on his face; the shirt he wears appears to be collarless and his hair looks thick and is combed off his face; done in painterly black lines of various densities — Smiling Man, 1922
Walter Gramatté

Not on View

man standing with this hands raised to his side; rays of sunshine fall onto his face from the upper right of the image — Man in the Sunbeam (Self-Portrait), 1919
Walter Gramatté

Not on View

original steel-faced copper printing plate; plate is wrapped in a print from this plate — Printing plate for Tired Girl (Sonia Gramatté), 1923
Walter Gramatté

Not on View

From a series of 12 lithographs produced for Der Mantel (The Coat) by Nicolai Gogol, Kiepenheuer Verlag, Potsdam-Berlin, 1919; a man in a white garment holds his large hand out in front of him tentatively; his knee is propped up in front of him and is covered in a black cloth — Akaki in a Delirium, Plate 9 from Der Mantel (The Coat), 1918
Walter Gramatté

Not on View

tall mountains in the background with a row of small houses in the foreground; crease in center of sheet where paper had once been folded — Sketch 4, Spain, 20th century
Walter Gramatté

Not on View

head and shoulders of a man in the foreground facing viewer and a woman with her head turned looking over her shoulder at the man in the foreground; figures drawn in thick black strokes and colored with pink and blue with the background in green — Man and Laughing Woman, 1920
Walter Gramatté

Not on View

original iron printing plate — Printing plate for The Gamblers, 1916
Walter Gramatté

Not on View

Portfolio case for a series of nine etchings, Das Gesicht (The Face), published by Euphorion Verlag, Berlin, 1924; blue-green case with a tan leather binding and an off-white paper cover housing nine color etchings and a title page; on the cover of the portfolio in thick black cursive script: Gramatté [followed by a long vertical curing line] 1924. — Portfolio case for Das Gesicht (The Face), 1922
Walter Gramatté

Not on View

original copper printing plate — Printing plate for Male Face (Self-Portrait), 1922
Walter Gramatté

Not on View

three figures sit around a table that has glasses, plates, and utensils on the top; the figure in the center is a nude woman; she is flanked by two men — Brothel (III), 1916
Walter Gramatté

Not on View

lion curled up resting its head and paw on a branch — Lying Lion, 1915
Walter Gramatté

Not on View

man looking down at three small figures attached to string/wire below him — Man with Marionettes, 1919
Walter Gramatté

Not on View

five heads clustered together titled in various directions; fingers from a hand in the lower left corner of the image — Listening, 1919
Walter Gramatté

Not on View

head and shoulders of woman with hair parted in the middle and eyes looking to the right; she wears a shirt with a white collar beneath which is a a tied bow — Girl with Lace Collar (Sonia Gramatté), 1923
Walter Gramatté

Not on View

seated figure with child on lap; study for Il Pantegan by Victor Hadwiger; illustrated by Gramatté — Study for plate 3 of Il Pantegan, 1919
Walter Gramatté

Not on View

man's head from the eyes up with trees in the background — Self under Trees, 1921
Walter Gramatté

Not on View

original zinc printing plate — Printing plate for Self-Portrait with Folded Arms, 1922
Walter Gramatté

Not on View

small image of three people huddled together in the middle of the sheet with cursive writing in German filling the rest of the page; sheet has been folded in half from a larger sheet of paper — Nostalgia, 1917
Walter Gramatté

Not on View

From a series of 12 lithographs produced for Der Mantel (The Coat) by Nicolai Gogol, Kiepenheuer Verlag, Potsdam-Berlin, 1919; man in a black coat stands next to a window with rays coming through it; he holds a piece of his coat in his hand — Akaki Shows the Tailor the Areas to Be Repaired, Plate 3 from Der Mantel (The Coat), 1918
Walter Gramatté

Not on View

head and shoulders of a figure with their head tilted down and to the right — Weary Head, 1922
Walter Gramatté

Not on View

two figures flank a small tree that stands in the center of the image; thick rays of sunshine radiate across the image from a sun in the upper center of sheet — The Distant Lovers (3), 1919
Walter Gramatté

Not on View

head and shoulders of a man looking directly at the viewer with large expressive eyes with the lines over his shoulder forming a corner of a room — Man in the Corner (Self-Portrait), 1919
Walter Gramatté

Not on View

original copper printing plate; plate is wrapped in a print from this plate — Printing plate for Wait, 1918
Walter Gramatté

Not on View

From a series of five lithographs for Der Lebende Leichnam (The Living Corpse) by Leo Tolstoy, published by Karl Lang Verlag in Darmstadt, 1919; figure in bottom center of image dressed in black and hunched over a table with his fingers grasping the sides of the table and his chin resting on the corner of the table — Fedja Before Maschas's Visit, Plate 2 from Der Lebende Leichnam (The Living Corpse), 1919
Walter Gramatté

Not on View

original steel-faced copper printing plate; plate is wrapped in a print from this plate — Printing plate for Joseph is sold out of envy by his brothers. Plate 1, "Look, there comes the dreamer", 1923
Walter Gramatté

Not on View

head and shoulders of woman glancing to the left; she is wearing a necklace which falls over a high-collared garment that has three buttons on the right side — Sonia with Necklace, 1926
Walter Gramatté

Not on View

original metal alloy plate; verso has a musical score — Printing plate for Sleeping Girl (Sonia Gramatté), 20th century
Walter Gramatté

Not on View

original copper printing plate; red ink in lower right corner of plate — Printing plate for Hochkamp II, 1922
Walter Gramatté

Not on View

on left side of sheet is a boat with a figure on one side of the boat and the sail on the other; to the right of this image is a smaller image of a sailboat and figure with a border drawn around the image — Sketches (Sailors), 1920 (?)
Walter Gramatté

Not on View

head and shoulders of a woman in a high-collared shirt looking downward; her hands are folded one on top of the other in front of her — Listening (Sonia Gramatté, a Bird in her Hands), 1920
Walter Gramatté

Not on View

original copper printing plate — Printing plate for Hull (Sonia Gramatté), 1927
Walter Gramatté

Not on View

head and shoulders of a young man with head turned slightly to the right; a row of houses sit just behind his shoulders with a house on the left having a steeple with a cross at the top; image drawn with thin black lines — Man's Head with Houses, 1923
Walter Gramatté

Not on View

original copper printing plate — Printing plate for Self. Head in Hand, 1927
Walter Gramatté

Not on View

three beds with figures in a room; figure in bed in the foreground faces the viewer with their head resting in the palm of their hand; figure in the upper left corner lies prone; figure in the upper right corner faces viewer — Night Scene, 1922
Walter Gramatté

Not on View

a woman's head and neck with a hand under her face on the left side of the image — Girl with Hand (Sonia Gramatté), 1922
Walter Gramatté

Not on View

original steel-faced copper printing plate; plate is wrapped in a print from this plate — Printing plate for November Portrait (Self-Portrait), 1918
Walter Gramatté

Not on View

Bridal Girl (Sonia Gramatté), 1921

Walter Gramatté

Not on View

sketch of the head and shoulders of a man drawn on the back of an envelope; to the left of the figure is part of an address written in brown ink — Sketch of a man, c. 1918
Walter Gramatté

Not on View

cartoon-like drawing of a head drawn in the form of a circle with a series of curved lines and Xes defining the features and hair; part of the hair is colored in red pencil — Humorous Drawing (Head), 1925 (?)
Walter Gramatté

Not on View

outline in black of a head of a man turned to the right with a large mustache — Portrait of My Father, 1916
Walter Gramatté

Not on View

two drawings on one sheet of paper, each outlined with black borders and with Roman numerals I and III at the lower right margin of each drawing; drawing on the left side of the sheet is of a figure dressed in black in the center of the image running with arms extended above his head; drawing on the right of the sheet is of a woman in the upper left corner looking out from an opening in a black wall toward a standing figure facing her on the right side of the image; drawings are studies for plates 1 and 3 of Die Tragische Sendung (The Tragic Commission), by Hermann Kasack — Sketches for Die Tragische Sendung (The Tragic Commission), 1920
Walter Gramatté

Not on View

fence in foreground leading to a group of buildings with a line of trees behind the cluster of buildings; various illegible lines of text in German scattered throughout image — Landscape, 1920
Walter Gramatté

Not on View

From a series of 12 lithographs produced for Der Mantel (The Coat) by Nicolai Gogol, Kiepenheuer Verlag, Potsdam-Berlin, 1919; a man in a black coat and hat stands bent over with his hands outstretched to his sides; he is holding a rolled piece of paper in his hand on the left; a building with windows is in the background — Akaki Walks Perplexed on the Street, Plate 4 from Der Mantel (The Coat), 1918
Walter Gramatté

Not on View

recto: operating scene with doctors, nurses, and other attendants; verso: numbered list with prices written in German in pencil and crossed out — Operation, 1921 (?)
Walter Gramatté

Not on View

a distressed looking figure sits behind a table with arms outstretched; one hand grasps the edge of the table and the other hand pushes into the table with an upright palm; study for plate 3 of Der Lebende Leichnam (The Living Corpse) by Leo Tolstoy — Study for plate 3 of Der Lebende Leichnam (The Living Corpse), 1919
Walter Gramatté

Not on View

figure sitting with child in their lap — Man with Unknown Child, 1920
Walter Gramatté

Not on View

head and shoulders of a woman with large expressive eyes and a downcast mouth in a solid black turtleneck; a butterfly is in the upper right corner — Sidi Heckel, 1919
Walter Gramatté

Not on View

study for Plate 5 of Der Mantel (The Coat); a man stands in a black coat with his arms to his sides; behind him another man has his hands placed on the first man's shoulders; a window in the upper right has rays of sun coming through — Study for Akaki Get Measured for a New Coat, 1918
Walter Gramatté

Not on View

recto: a road in the middle of the sheet with a figure on either side of it; verso: handwritten text in German — The Distant Lovers (2), 1919
Walter Gramatté

Not on View

From a series of ten woodcuts for Die Tragische Sendung (The Tragic Commission), by Hermann Kasack, Rowohlt Verlag, Berlin 1920; figure in center with arms raised up from their sides and rays of light coming from upper right corner; surrounding him in the lower third of the image are the heads of four figures looking up at the figure in the center of the image — For the Tenth Scene, Plate 10 from Die Tragische Sendung (The Tragic Commission), 1920
Walter Gramatté

Not on View

recto: group of musicians playing their instruments on the upper half of the sheet; verso: group of undefined figures in middle of sheet with various words and smaller sketches above and below these figures — Sketches of a Music Band, 1920
Walter Gramatté

Not on View

man sitting in center of image with a window behind his left shoulder emanating rays of light — Proof from The Apple King, 1919
Walter Gramatté

Not on View

sketches of a figure, face, and various numbered objects drawn on green paper tinged with brownish stains; in the upper left corner is a figure carrying a banner — Sketch sheet (Spain), 1925 (?)
Walter Gramatté

Not on View

From a series of ten woodcuts for Die Tragische Sendung (The Tragic Commission), by Hermann Kasack, Rowohlt Verlag, Berlin 1920; man in white in lower right corner with his head turned toward the viewer sits behind a counter running diagonally across lower third of image; standing facing him on the left side of the image is a man dressed in black holding a tall black hat — For the Seventh Scene, Plate 7 from Die Tragische Sendung (The Tragic Commission), 1920
Walter Gramatté

Not on View

original zinc printing plate — Printing plate for Café Josty, 1917
Walter Gramatté

Not on View

figure in bottom center of image hunched over a table with his fingers grasping the sides of the table and his chin resting on the corner of the table; study for plate 2 of The Living Corpse (Der Lebende Leichnam) by Leo Tolstoy — Study for plate 2 of The Living Corpse (Der Lebende Leichnam), 1919
Walter Gramatté

Not on View

man dressed in black in the lower portion of the print holding a gun; in the upper right corner is a building and a sun emanating rays — Proof from The Apple King, 1919
Walter Gramatté

Not on View

distressed looking figure with hands outstretched in the upper right of image reaching for a figure on the left side who is lying down with closed eyes; figures drawn in thick black lines and colored with green, pink, and yellow — Torment, 1920
Walter Gramatté

Not on View

original woodblock — Woodblock for Taking Leave, 1920
Walter Gramatté

Not on View

original copper printing plate from Das Gesicht (plate 8) — Printing plate for Boy's Head (Self-Portrait), from Das Gesicht (The Face), 1922
Walter Gramatté

Not on View

head and torso of man in a black shirt with hands clasped in front of him; man gazes directly at viewer with a slight smile on his face; in the background tall black trees are set against a green background — Self under Trees, 1921
Walter Gramatté

Not on View

From a series of 12 lithographs produced for Der Mantel (The Coat) by Nicolai Gogol, Kiepenheuer Verlag, Potsdam-Berlin, 1919; a bridge with street lamps curves diagonally from the lower left corner to the upper right corner; in the lower right corner is a body of water with circular ripples — The Kalinkin Bridge, Which is Haunted at Night, Plate 12 from Der Mantel (The Coat), 1918
Walter Gramatté

Not on View

original steel-faced copper printing plate; plate is wrapped in a print from this plate — Printing plate for Girl I, 1919
Walter Gramatté

Not on View

figure of a man whose body runs diagonally across the image; hands and arms are outstretched above his head in the upper right corner with feet in the lower left corner — Sketch for Outcry, 1918
Walter Gramatté

Not on View

From a series of 12 lithographs produced for Der Mantel (The Coat) by Nicolai Gogol, Kiepenheuer Verlag, Potsdam-Berlin, 1919; a man in a black coat and hat stands bent over with his hands outstretched to his sides; he is holding a rolled piece of paper in his hand on the left; a building with windows is in the background — Akaki Walks Perplexed on the Street, Plate 4 from Der Mantel (The Coat), 1918
Walter Gramatté

Not on View

distressed looking figure with hands outstretched in the upper right of image reaching for a figure on the left side who is lying down with closed eyes; figures drawn in thick black lines and colored with yellow, pink, and purple — Torment, 1920-1921
Walter Gramatté

Not on View

original steel-faced copper printing plate; plate is wrapped in a print from this plate — Printing plate for Girl II, 1919
Walter Gramatté

Not on View

recto: figure in foreground on left side leans forward; figure on right side leans backward with arms out in front of her; verso: series of numbers and other illegible handwritten text in graphite and black crayon — Two Figures, 1919
Walter Gramatté

Not on View

figure crouched in bottom half of image with diagonal bands of solid black and striped black lines alternating in the background — Logo, c. 1919
Walter Gramatté

Not on View

tall building in the center of the image with an arched bridge in the foreground on the right — Canal Bridge with Ships and Houses, 1916
Walter Gramatté

Not on View

From a series of ten woodcuts for Die Tragische Sendung (The Tragic Commission), by Hermann Kasack, Rowohlt Verlag, Berlin 1920; two figures dressed in black with arms extended from their sides; one figure in lower left corner and the second in the upper right of the image — For the Second Scene, Plate 2 from Die Tragische Sendung (The Tragic Commission), 1920
Walter Gramatté

Not on View

street surrounded by buildings leading to a door in center of sheet; a cross is visible in the upper right; crease in center of sheet where paper had once been folded — Sketch 1, Spain, 20th century
Walter Gramatté

Not on View

head and shoulders of a woman facing the viewer wearing a collared shirt with a necktie — Sonia (III), 1926
Walter Gramatté

Not on View

row of trees drawn in a sketchy style in black ink — Landscape (Trees), 1917
Walter Gramatté

Not on View

head and torso of man in a dark blue shirt with hands clasped in front of him; man gazes directly at viewer with a slight smile on his face; in the background tall dark blue trees are set against a green background — Self under Trees, 1921
Walter Gramatté

Not on View

original copper printing plate — Printing plate for Self. Head in Hand, 1927
Walter Gramatté

Not on View

original copper printing plate; images on front and back — Printing plate for Man in Front of the Door (recto) and Mrs. R. (verso), 1922-1923
Walter Gramatté

Not on View

From a series of ten woodcuts for Die Tragische Sendung (The Tragic Commission), by Hermann Kasack, Rowohlt Verlag, Berlin 1920; woman in black v-neck shirt in lower left of image faces viewer; behind her in the upper right corner a man dressed in black with his arms out in front of him takes a step on a road/path toward the woman in the foreground — For the Eighth Scene, Plate 8 from Die Tragische Sendung (The Tragic Commission), 1920
Walter Gramatté

Not on View

From a series of 12 lithographs produced for Der Mantel (The Coat) by Nicolai Gogol, Kiepenheuer Verlag, Potsdam-Berlin, 1919; a man in an open coffin leaning forward trying to touch his toes — Akaki in a Coffin Made of Spruce Wood, Plate 10 from Der Mantel (The Coat), 1918
Walter Gramatté

Not on View

sketchbook with green cardboard covers and a black binding; contains a few pages of cursive writing in German at the front of the book followed by a few pages of sketches of unidentified objects and a few pages of figure studies; rest of sketchbook has blank pages; the front cover of sketchbook is detached from the rest of the book — Sketchbook A, 20th century
Walter Gramatté

Not on View

recto: head and neck of young boy looking directly at viewer; a few splotches of red ink on the left side of the sheet; verso: partial sketch of woman with long hair looking downward — Boy's Head, 1922
Walter Gramatté

Not on View

original steel-faced copper printing plate — Printing plate for A Puppet Show, 1917
Walter Gramatté

Not on View

head and shoulders of a woman looking outward with a furrowed brow and slight frown on her face; hair is pulled back and falls to the shoulders; background and garment is in a faded red; hair and neck area is a faded orange color; and face is grayish — Woman's Head (Sonia Gramatté), 1923
Walter Gramatté

Not on View

original zinc printing plate — Printing plate for Orchestra I, 1917
Walter Gramatté

Not on View

Bridal Girl (Sonia Gramatté), 1921

Walter Gramatté

Not on View

original steel-faced copper printing plate; plate is wrapped in a print from this plate — Printing plate for The Man at the Mirror, 1919
Walter Gramatté

Not on View

original steel-faced copper printing plate; plate is wrapped in a print from this plate — Printing plate for Joseph is sold out of envy by his brothers. Plate II, "Let's throw him into a pit", 1923
Walter Gramatté

Not on View

recto: sketch of a flower with its petals facing left; paper is folded in half with the drawing on the left side of the sheet; verso: text in brown ink in German in lower right corner of sheet — Sketch of a Blossom, 1919
Walter Gramatté

Not on View

figures sitting and standing around a table with two glasses on it; an empty stool in center of sheet — Gamblers, 1916
Walter Gramatté

Not on View

woman's head on top half of sheet; eyes drawn in thick black ink and mouth is turned slightly downward — Hull (Sonia Gramatté), 1927
Walter Gramatté

Not on View

three beds with figures in a room: figure in bed on left side is sitting up; figure in bed in the foreground faces the viewer with their head resting in the palm of their hand; figure in bed on the right side at the back of the room lies prone; background is colored with dabs and streaks of blue wash paritally covering the room; bedspreads on each bed are colored in pink — Night Scene, 1923
Walter Gramatté

Not on View

original copper printing plate — Printing plate for Till Uilenspiegel (Self-Portrait), 1919
Walter Gramatté

Not on View

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